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BlueFish444’s HD/SD SDI Solutions are the hardest working cards in town.
Used in over 100 Hollywood features including several of this years academy award winners, Bluefish444 I/O solutions deliver the highest standard in capture, playback and broadcast every time. The perfectionist’s choice in RGB and DI, Bluefish444 delivers superior results for significantly less on all digital post and broadcast demands.
Renowned for their robust stability and seamless workflow, BlueFish444 are the card of choice under the bonnet of many of the industries leading OEM DI solutions. Supporting the widest range of industry standard formats of any I/O solution from 8bit YUV and 10bit RGB.
With credentials proven at the top end of the market, BlueFish444’s multi-platform, multi-application solutions are the staple tool for anyone serious about Film, Digital Post or Live Broadcast.
“I’ve used Bluefish cards for all our HD mastering and acquisition needs for over
three years. For performance, flexibility, price and ease of use, Bluefish can’t be beat.”
Adam Hawkey
Senior Digital Colorist, iO Film (King Kong)
2K|Lust
A High Definition capture and playback card, the Dual Link 2K|Lust is the best way to bring true film quality to the desktop.
With SD down conversion and 8 channels of digital audio, HD Lust is the perfect choice for the demanding DI market.
APPLICATIONS: Digital Intermediate Dual Link I/O - NLE (Non-Linear edit systems)- Video Servers - Character Generators - Logo Insertion - Titling & Virtual Sets.
· 2048 X 1556 resolution at HSDL frame rate for telecine and film scanners (15 fps)
· 2048 X 1080 resolution at 24p/psf frame rate for Digital Cinema Mastering
· Additional monitoring BNC connector for simultaneous real time scaling (up and down conversion), cropping, windowing, aspect ratio correction and 3:2 pull down of the 2K output signal,(including HSDL & Panavision) as HD SDI or SD SDI, including widescreen.
· 3 X 1D dedicated LUTs for viewing LOG images as Linear and for color calibration on an HD/SD broadcast monitor.
· VANC (digitized 3 line VITC) support for time code and key code within the SDI signal.
· An intuitive feature control application to set the hardware scaling, panning & windowing parameters and the loading of anti-log files.
· HD/SD SDI Output
· 10/8 bit RGB/YUV
· DPX, Cineon, Targa RGBA, AVI & QuickTime V210 support
· Dual link 4:4:4, 4:2:2:4, 4:4:4:4 Output
· Single link 4:2:2 Output
· Real-time hardware color space conversion
· Video and Key Output
· Real time hardware HD to SD down conversion
· Genlock
· Symmetry software included
· 3 year warranty
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“My immediate reaction was “wow-this is just what I need to do truly reliable work in color-correction and image filtering”. As I worked more with Premiere Pro I noticed the WildblueIAV responded smoothly and dependably. I’m big on feel when it comes to cutting. I don’t want hardware to interrupt my process, so I was really pleased to see how well the card handled all the standard editing tasks. Scrubbing through the timeline, for instance, was magical.”
Clyde Tressler
President
Amalgamated Clyde Incorporated, New York
HD | Fury
The Single Link HID Fury is the card of choice for HD/SD editing. With 10-bit color depth and 8 channels of digital audio, the HD Fury provides video output preview for Adobe After Effects, Eyeon Digital Fusion, and Autodesk Combustion.
Digital Intermediate - Single Link I/O
DCC, Color Correction & Compositing, Conform & NLE, Video Servers, Character Generators, Logo insertion, Titling & Virtual Sets
· HD/SD SDI I/O
· 10/8 bit RGB/YUV
· DPX, Cineon, Targa RGBA, AVI & QuickTime V210 support
· Single link 4:2:2 I/O
· Real-time hardware color space conversion
· Hardware overlay for internal keying
· Surround Sound 7.1/5.1audio monitoring
· 8 channels of S/P DIF audio I/O
· Real time hardware HD to SD down conversion
· Genlock
· Symmetry software included
· 3 year warranty
More info from Bluefish444 OR
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“I love being able to preview effects in real time before rendering. It’s a wonderful feature, and since a lot of our footage for SD shows is shot using DV and DVCpro cameras, it’s wonderful being able to integrate different kinds of footage into our uncompressed graphic design environments inside Premiere. We use a lot of “real-time” effects, but actually only utilize processors to preview them, and we love it! It almost feels like a mini flame, so our clients are always impressed at the agility of our design process, and the tight integration into After Effects make it feel like we have a super powerful setup, which, I guess, we do.”
Ben Jehoshua
Partner
Image Line Productions
HD | IridiumXP
Designed for digital artists, colorists and professional solutions requiring output only for the highest quality in broadcast monitoring.
Digital Intermediate - DCC, Color Correction & Compositing,
Conform & Preview,
Video Servers,
Character Generators,
Titling & Virtual Sets
· HD/SD SDI Output
· 10/8 bit RGB/YUV
· DPX, Cineon, Targa RGBA, AVI & QuickTime V210 support
· Dual link 4:4:4, 4:2:2:4, 4:4:4:4 Output
· Single link 4:2:2 Output
· Real-time hardware color space conversion
· Video and Key Output
· Real time hardware HD to SD down conversion
· Genlock
· Symmetry software included
· 3 year warranty
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“We needed to sustain over 90 minutes of HD uncompressed 444 capture in the Cineon format—something only previously possible on packages that usually cost over 20 times the price! The Bluefish444 team really delivered on their promise with the HD Lust.”
James D. Tocher
President
Digital Film Group, Inc
More info from Bluefish444 OR
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Symmetry
Bundled FREE with every BlueFish444 card, the acclaimed Symmetry provides a seamless acquisition, review and playout station for all Windows production environments. The perfect balance between features and usability, Symmetry captures Cineon, DPX, Targa, QuickTime and AVI files allowing you to use footage on multiple applications across multiple platforms; eliminating the acute pain of re-rendering between tools.
Symmetry dispenses with any loss issues associated with color conversion by giving the user the choice of which color space best suits their needs from 8bit YUV up to 16bit RGB. With completely frame accurate deck control Symmetry frees up the creative process to design and create rather than waste countless hours managing complex NLE systems just to get media in and out of a workstation.
Equally comfortable as a digital intermediary or as a capture and playback solution for digital content creators, compositors and editors; Symmetry’s interface, to quote one customer is “monkey simple” with all the capabilities of much more expensive systems.
Digital Intermediate - DCC, Color Correction & Compositing,
Conform & Preview,
Video Servers,
Character Generators,
Titling & Virtual Sets
Key Features
· HPlay list and clip assembly for preview and exporting to tape
· EDL CMX 3600 support
· Save and load projects in XML format for versatile 3rd party application support and project archiving
· Frame accurate RS422 VTR control
· HD/SD I/O, Dual/Single Link I/O
· DPX & Cineon 10 bit RGB linear/log file format support
· Targa RGBA file format support
· QuickTime 10 bit YUV V210 file format support
· AVI 8 bit YUV support
· Batch capture and batch list import function
· Batch export list and multi clip exporting
· Desktop preview in capture and playback mode
· Drop frame reporting and drop frame time code support
· 8 Channels of audio I/O and audio monitoring levels
· SMPTE and CGR Scaling for 10 bit RGB file formats
Bluefish hardware. Working with more applications than any other.
Adobe After Effects™, Adobe Photoshop™, Adobe Premiere Pro™, Assimilate™, Combustion™, Digital Fusion™, Matrix™,
Mirage™, Nucoda™, Nuke Software™, Oxygen VS™, QuickClip™, Symmetry™, Twister™, Windows Media Encoder™
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